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dc.contributor.authorBeer, Tanja
dc.date.accessioned2020-05-06T05:48:06Z
dc.date.available2020-05-06T05:48:06Z
dc.date.issued2018
dc.identifier.issn2044-3714
dc.identifier.doi10.1386/scene.6.1.81_7
dc.identifier.urihttp://hdl.handle.net/10072/393643
dc.description.abstractThe Ecological Turn offers a unique perspective on the cyclic and continuous potentiality of things in scenographic practice. This Is Not Rubbish is an ecoscenographic project that investigates the journey of a material rescued from landfill, and its capacity to create immersive performance spaces and wearable artefacts. Inspired by new materialist notions of inhuman agency, the project seeks to dissolve the boundaries between more-than-human actants, installation and costume, site and material. The visual essay examines the potential for ecoscenography to lead to new modes of practice in scenography, where expanded ideas of material entanglement, across bodies, ecosystems and built environments, are central to performance design.
dc.description.peerreviewedYes
dc.languageen
dc.publisherIntellect
dc.relation.ispartofpagefrom81
dc.relation.ispartofpageto89
dc.relation.ispartofissue1
dc.relation.ispartofjournalScene
dc.relation.ispartofvolume6
dc.subject.fieldofresearchPerforming Arts and Creative Writing
dc.subject.fieldofresearchCuratorial and Related Studies
dc.subject.fieldofresearchcode1904
dc.subject.fieldofresearchcode2102
dc.titleA case for ecoscenography: Cultivating the continuous potential of things in performance design
dc.typeJournal article
dc.type.descriptionC1 - Articles
dcterms.bibliographicCitationBeer, T, A case for ecoscenography: Cultivating the continuous potential of things in performance design, Scene, 2018, 6 (1), pp. 81-89
dc.date.updated2020-05-06T05:36:55Z
gro.hasfulltextNo Full Text
gro.griffith.authorBeer, Tanja


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