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  • Colombia's Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms

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    Duque_Cuartas,Alejandro_Final Thesis_redacted.pdf (6.440Mb)
    Author(s)
    Duque Cuartas, Alejandro
    Primary Supervisor
    Grant, Catherine F
    Other Supervisors
    Schaupp, Karin
    Year published
    2020-06-05
    Metadata
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    Abstract
    This research explores the diversity of Colombia’s classical guitar repertoire (CCGR). Using musicological and artistic approaches, it aims to expand understanding of the wide stylistic range and diversity of CCGR. In particular, building on previous categorisations of Colombian music, this project offers a three-part framework for better understanding the diversity of CCGR idioms in their contemporary manifestations: namely, traditional, traditional-popular, and art music. Drawing on methods characteristic of historical musicology and artistic research, this research contributes to new understandings of these CCGR idioms ...
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    This research explores the diversity of Colombia’s classical guitar repertoire (CCGR). Using musicological and artistic approaches, it aims to expand understanding of the wide stylistic range and diversity of CCGR. In particular, building on previous categorisations of Colombian music, this project offers a three-part framework for better understanding the diversity of CCGR idioms in their contemporary manifestations: namely, traditional, traditional-popular, and art music. Drawing on methods characteristic of historical musicology and artistic research, this research contributes to new understandings of these CCGR idioms through (1) inductive thematic analysis of academic and non-academic publications, including creative outputs such as compositional scores and recordings related to CCGR and the music genres involved; and (2) a CD I recorded for this research that showcases repertoire—including a world premiere piece—displaying the diversity of CCGR across the three idioms outlined above. It is hoped that the research outcomes will (a) expand current knowledge of the nature and diversity of CCGR, (b) help to profile and disseminate relatively unknown CCGR, and (c) inform future research on Colombian music and CCGR. In these ways, these outcomes may be of interest and benefit to composers, guitarists, and researchers, particularly but not only those from Colombia, in understanding, identifying and contextualising the diversity of CCGR.
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    Thesis Type
    Thesis (Masters)
    Degree Program
    Master of Music Research (MMusRes)
    School
    Queensland Conservatorium
    DOI
    https://doi.org/10.25904/1912/2804
    Copyright Statement
    The author owns the copyright in this thesis, unless stated otherwise.
    Subject
    classical guitar repertoire
    Colombia
    Publication URI
    http://hdl.handle.net/10072/394724
    Collection
    • Theses - Higher Degree by Research

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