Moment and Method
Author(s)
Giles, Jacinta
Griffith University Author(s)
Year published
2018
Metadata
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Background: this output considers how an encounter between photography, the televisual and the Deleuzian literary concept of stammering can rupture figurative and narrative representation to animate the affective aspects of ordinary life. Contribution: This output contributes to the growing body of Deleuzian scholars and photography researchers who are using Deleuze's concepts to challenge dominant perceptions of the medium and to bring to the fore photography's potential to create affective encounters of ordinary life. The research questions that this output links to is: What can an encounter between photography, the ...
View more >Background: this output considers how an encounter between photography, the televisual and the Deleuzian literary concept of stammering can rupture figurative and narrative representation to animate the affective aspects of ordinary life. Contribution: This output contributes to the growing body of Deleuzian scholars and photography researchers who are using Deleuze's concepts to challenge dominant perceptions of the medium and to bring to the fore photography's potential to create affective encounters of ordinary life. The research questions that this output links to is: What can an encounter between photography, the televisual and the Deleuzian literary concept of stammering contribute to the expanded field of contemporary art research? Significance: The fusing together of these elements within practice-led research has the potential to produce aesthetic experiences at a transnarrative level, requiring the viewer to move beyond figuration and narrative to engage at a bodily level. This materialising of the transnarrative out of television narrative enabling new insights and ways of knowing to emerge.
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View more >Background: this output considers how an encounter between photography, the televisual and the Deleuzian literary concept of stammering can rupture figurative and narrative representation to animate the affective aspects of ordinary life. Contribution: This output contributes to the growing body of Deleuzian scholars and photography researchers who are using Deleuze's concepts to challenge dominant perceptions of the medium and to bring to the fore photography's potential to create affective encounters of ordinary life. The research questions that this output links to is: What can an encounter between photography, the televisual and the Deleuzian literary concept of stammering contribute to the expanded field of contemporary art research? Significance: The fusing together of these elements within practice-led research has the potential to produce aesthetic experiences at a transnarrative level, requiring the viewer to move beyond figuration and narrative to engage at a bodily level. This materialising of the transnarrative out of television narrative enabling new insights and ways of knowing to emerge.
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Publisher URI
Note
2 x A4 size photographic print
Subject
Visual arts
Fine arts
Photography, video and lens-based practice