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  • Wonder E. P.

    Author(s)
    Anthony, Brendan
    Griffith University Author(s)
    Anthony, Brendan
    Year published
    2017
    Metadata
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    Abstract
    Research Background The recent development of the Digital Analogue Workstation has enabled the development of computer–based plugins that emulate the “warmth” and “colour” renowned with the use of vintage audio technology. In the past artists who produce organic folk music have preferred mixers to use vintage analogue audio equipment on their final mixers to colour the sound. Tully John & Liza Jane’s latest release “Wonder Ep” was a practiced based study into the mixing of organic folk tunes completely within the confines of the computer. Within this study the use of computer- based analogue emulation plugins were used ...
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    Research Background The recent development of the Digital Analogue Workstation has enabled the development of computer–based plugins that emulate the “warmth” and “colour” renowned with the use of vintage audio technology. In the past artists who produce organic folk music have preferred mixers to use vintage analogue audio equipment on their final mixers to colour the sound. Tully John & Liza Jane’s latest release “Wonder Ep” was a practiced based study into the mixing of organic folk tunes completely within the confines of the computer. Within this study the use of computer- based analogue emulation plugins were used to imitate the ‘warmth’ usually generated from vintage analogue equipment. This process was tested by the artist’s critique of the mixes and signifies a successful use of digital technologies on an analogue sounding product. Research Contribution This study informs the broad scope of literature currently available on a mixing inside and outside of the computer, and signifies a step in the direction of defining mixing as a by product of the tacit skills of mixing engineers as compared to the use of certain technology. This research is a testament to the value of practice-based investigations into popular music and informs practitioners and pedagogical frameworks in Music technology and popular music education. Research Significance Tully John & Liza Jane have successfully launched their “Wonder” Ep to an audience of over 100 people at the “Dust Bowl’ in Currumbin. The E.P is available on many online platforms including ITunes, see reviews here: http://blankgc.com.au/tully-john-and-liza-jane/ “[The] new single, ‘Dust’, delivers a stellar introduction to their sound, and [the] debut EP [is] ready to launch at The Dust Temple on 17 December”
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    Publisher URI
    https://www.brendananthonymusic.com/record-production-mixing-cv
    Note
    Author mixed/recorded this music performance
    From Research Statement Attached - The recent development of the Digital Analogue Workstation has enabled the development of computer–based plugins that emulate the “warmth” and “colour” renowned with the use of vintage audio technology. In the past artists who produce organic folk music have preferred mixers to use vintage analogue audio equipment on their final mixers to colour the sound. Tully John & Liza Jane’s latest release “Wonder Ep” was a practiced based study into the mixing of organic folk tunes completely within the confines of the computer. Within this study the use of computer- based analogue emulation plugins were used to imitate the ‘warmth’ usually generated from vintage analogue equipment. This process was tested by the artist’s critique of the mixes and signifies a successful use of digital technologies on an analogue sounding product.
    Subject
    Music Performance
    Publication URI
    http://hdl.handle.net/10072/396816
    Collection
    • Creative works

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