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dc.contributor.authorAnthony, Brendan
dc.date.accessioned2020-08-27T01:48:31Z
dc.date.available2020-08-27T01:48:31Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/10072/396816
dc.description.abstractResearch Background The recent development of the Digital Analogue Workstation has enabled the development of computer–based plugins that emulate the “warmth” and “colour” renowned with the use of vintage audio technology. In the past artists who produce organic folk music have preferred mixers to use vintage analogue audio equipment on their final mixers to colour the sound. Tully John & Liza Jane’s latest release “Wonder Ep” was a practiced based study into the mixing of organic folk tunes completely within the confines of the computer. Within this study the use of computer- based analogue emulation plugins were used to imitate the ‘warmth’ usually generated from vintage analogue equipment. This process was tested by the artist’s critique of the mixes and signifies a successful use of digital technologies on an analogue sounding product. Research Contribution This study informs the broad scope of literature currently available on a mixing inside and outside of the computer, and signifies a step in the direction of defining mixing as a by product of the tacit skills of mixing engineers as compared to the use of certain technology. This research is a testament to the value of practice-based investigations into popular music and informs practitioners and pedagogical frameworks in Music technology and popular music education. Research Significance Tully John & Liza Jane have successfully launched their “Wonder” Ep to an audience of over 100 people at the “Dust Bowl’ in Currumbin. The E.P is available on many online platforms including ITunes, see reviews here: http://blankgc.com.au/tully-john-and-liza-jane/ “[The] new single, ‘Dust’, delivers a stellar introduction to their sound, and [the] debut EP [is] ready to launch at The Dust Temple on 17 December”en_US
dc.format.mediumVarious electronic instrumentsen_US
dc.languageEnglishen_US
dc.language.isoeng
dc.publisherQueensland Conservatorium, Griffith Universityen_US
dc.publisher.placeBrisbane, Australiaen_US
dc.publisher.urihttps://www.brendananthonymusic.com/record-production-mixing-cven_US
dc.subject.fieldofresearchMusic Performanceen_US
dc.subject.fieldofresearchcode190407en_US
dc.titleWonder E. P.en_US
dc.typeCreative worken_US
dc.type.descriptionS1_2 Performance (Major Research)en_US
dcterms.bibliographicCitationAnthony, B, Wonder E. P., Tully John & Liza Jane: Wonder EP, 2017en_US
dc.date.updated2020-08-27T01:45:08Z
gro.description.notepublicAuthor mixed/recorded this music performanceen_US
gro.description.notepublicFrom Research Statement Attached - The recent development of the Digital Analogue Workstation has enabled the development of computer–based plugins that emulate the “warmth” and “colour” renowned with the use of vintage audio technology. In the past artists who produce organic folk music have preferred mixers to use vintage analogue audio equipment on their final mixers to colour the sound. Tully John & Liza Jane’s latest release “Wonder Ep” was a practiced based study into the mixing of organic folk tunes completely within the confines of the computer. Within this study the use of computer- based analogue emulation plugins were used to imitate the ‘warmth’ usually generated from vintage analogue equipment. This process was tested by the artist’s critique of the mixes and signifies a successful use of digital technologies on an analogue sounding product.en_US
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gro.griffith.authorAnthony, Brendan


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