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dc.contributor.authorBrumm, Adam
dc.contributor.authorLangley, Michelle C
dc.contributor.authorHakim, Budianto
dc.contributor.authorPerston, Yinika
dc.contributor.authorSuryatman
dc.contributor.authorOktaviana, Adhi Agus
dc.contributor.authorBurhan, Basran
dc.contributor.authorMoore, Mark W
dc.date.accessioned2020-10-30T01:09:18Z
dc.date.available2020-10-30T01:09:18Z
dc.date.issued2020
dc.identifier.issn1072-5369
dc.identifier.doi10.1007/s10816-020-09469-4
dc.identifier.urihttp://hdl.handle.net/10072/398849
dc.description.abstractRecent excavations at Leang Bulu Bettue, a limestone cave on the Indonesian island of Sulawesi, have yielded a collection of flaked chert and limestone artefacts with cortical surfaces that had been deliberately incised prior to or after the knapping process. The markings engraved on these artefacts, which were recovered from deposits ranging in age between approximately 30–14 thousand years ago (30–14 ka), comprise cross-hatched patterns and other non-figurative imagery. This behaviour is of interest because of the almost total absence of portable art in the Pleistocene record of Island Southeast Asia, and the long-standing idea that the early modern human lithic technology of this region was fundamentally simple and remained so over tens of millennia. Here, we take stock of these incised stone artefacts from methodological and theoretical perspectives. Our findings suggest that unless one is specifically examining cortex on stone artefacts for these fine incisions, they are easily overlooked, and hence, we focus on how to improve detection of these faint engravings. We also consider why the Leang Bulu Bettue inhabitants engraved stone tool cortex, a practice we regard as an enigmatic form of portable lithic art and an apparent example of the creative process being as important as the end product—if not more so. We conclude that otherwise unremarkable lithic assemblages in Island Southeast Asia and beyond may potentially harbour hidden evidence for symbolic content in the form of often barely perceptible markings on remnant cortical surfaces.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherSPRINGER
dc.relation.ispartofpagefrom670
dc.relation.ispartofpageto698
dc.relation.ispartofissue3
dc.relation.ispartofjournalJournal of Archaeological Method and Theory
dc.relation.ispartofvolume27
dc.subject.fieldofresearchArchaeology
dc.subject.fieldofresearchcode4301
dc.subject.keywordsScience & Technology
dc.subject.keywordsSocial Sciences
dc.subject.keywordsLife Sciences & Biomedicine
dc.subject.keywordsAnthropology
dc.titleScratching the Surface: Engraved Cortex as Portable Art in Pleistocene Sulawesi
dc.typeJournal article
dc.type.descriptionC1 - Articles
dcterms.bibliographicCitationBrumm, A; Langley, MC; Hakim, B; Perston, Y; Suryatman, ; Oktaviana, AA; Burhan, B; Moore, MW, Scratching the Surface: Engraved Cortex as Portable Art in Pleistocene Sulawesi, Journal of Archaeological Method and Theory, 2020, 27 (3), pp. 670-698
dc.date.updated2020-10-30T01:06:26Z
gro.hasfulltextNo Full Text
gro.griffith.authorLangley, Michelle C.
gro.griffith.authorPerston, Yinika
gro.griffith.authorBrumm, Adam R.
gro.griffith.authorOktaviana, Adhi A.
gro.griffith.authorBasran, Basran


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