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dc.contributor.authorDillon, Steveen_US
dc.contributor.authorAdkins, Barbaraen_US
dc.contributor.authorBrown, Andrewen_US
dc.contributor.authorHirche, Kathyen_US
dc.date.accessioned2017-04-24T08:44:59Z
dc.date.available2017-04-24T08:44:59Z
dc.date.issued2009en_US
dc.date.modified2011-10-18T07:25:20Z
dc.identifier.issn17526299en_US
dc.identifier.doi10.1386/ijcm.1.3.357_1en_AU
dc.identifier.urihttp://hdl.handle.net/10072/39891
dc.description.abstractIn this article, we examine the affordances of the concept of 'network jamming' as a means of facilitating social and cultural interaction, that provides a basis for unified communities that use sound and visual media as their key expressive medium. This article focuses upon the development of a means of measuring social and musical benefit through correlation with meaningful engagement and provides examples of inclusive ensembles, and the specification of musical knowledge through algorithmic and educational experience design. This research builds on the design and development of the jam2jam 'family' of generative software and hardware applications. An emerging theoretical model for observing meaningful engagement in community music making is examined against three case studies selected from a larger scale long-termed research project. In this analysis of case studies we specifically employ an observational tool called the meaningful engagement matrix, discuss its development and describe how it functions to feed back data which informs software development, theories of social engagement and experience design.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.format.extent2869897 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherIntellect Ltden_US
dc.publisher.placeUnited Kingdomen_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofpagefrom357en_US
dc.relation.ispartofpageto374en_US
dc.relation.ispartofissue3en_US
dc.relation.ispartofjournalInternational Journal of Community Musicen_US
dc.relation.ispartofvolume1en_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchPerforming Arts and Creative Writing not elsewhere classifieden_US
dc.subject.fieldofresearchcode190499en_US
dc.titleCommunities of sound: Examining meaningful engagement with generative music making and virtual ensemblesen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.rights.copyrightCopyright 2009 Intellect Ltd . This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal website for access to the definitive, published version.en_AU
gro.date.issued2009
gro.hasfulltextFull Text


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