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dc.contributor.authorR. Brown, Andrewen_US
dc.contributor.authorSorensen, Andrewen_US
dc.date.accessioned2017-05-03T11:49:06Z
dc.date.available2017-05-03T11:49:06Z
dc.date.issued2009en_US
dc.date.modified2011-10-21T07:24:33Z
dc.identifier.issn07494467en_US
dc.identifier.doi10.1080/07494460802663991en_AU
dc.identifier.urihttp://hdl.handle.net/10072/39923
dc.description.abstractAll music performances are generative to the extent that the actions of performers produce musical sounds, but in this article the authors focus on performative interaction with generative music in a more compositional sense. In particular they discuss how live coding of music involves the building and management of generative processes. They suggest that the human interaction with generative processes that occurs in live coding provides a unique perspective on the generative music landscape. Especially significant is the way in which generative algorithms are represented in code to best afford interaction and modification during performance. They also discuss the features of generative processes that make them more or less suitable for live coding performances. They situate live coding practice within historical and theoretical contexts and ground the discussion with regular reference to their experiences performing in the live coding duo aa-cell.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.format.extent160374 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherRoutledgeen_US
dc.publisher.placeUnited Kingdomen_US
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofpagefrom17en_US
dc.relation.ispartofpageto29en_US
dc.relation.ispartofissue1en_US
dc.relation.ispartofjournalContemporary Music Reviewen_US
dc.relation.ispartofvolume28en_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchPerforming Arts and Creative Writing not elsewhere classifieden_US
dc.subject.fieldofresearchcode190499en_US
dc.titleInteracting with Generative Music through Live Codingen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.rights.copyrightCopyright 2009 Taylor & Francis. This is an electronic version of an article published in Contemporary Music Review, Vol. 28(1), 2009, pp. 17-29. Contemporary Music Review is available online at: http://www.informaworld.com with the open URL of your article.en_AU
gro.date.issued2009
gro.hasfulltextFull Text


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