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dc.contributor.authorStover, Christopher
dc.date.accessioned2021-01-08T03:12:21Z
dc.date.available2021-01-08T03:12:21Z
dc.date.issued2020
dc.identifier.urihttp://hdl.handle.net/10072/399746
dc.description.abstractI’m going to start in an unlikely place for a discussion on jazz and artistic research: Baruch Spinoza’s exploration of the nature of bodies and bodily relations in the second book of Ethics, a passage sometimes referred to as his “physical interlude.” Among other things, Spinoza makes the following claims:
dc.publisherCafé com Letras and Instituto Cidades Criativas
dc.publisher.urihttps://www.sympla.com.br/congresso-musica-criativa-improvisacao-e-inovacao---savassi-festival__1036267
dc.relation.ispartofconferencenameCreative Music Congress, Improvisation and Innovation - Savassi Festival
dc.relation.ispartofconferencetitleCreative Music Congress, Improvisation and Innovation - Savassi Festival
dc.relation.ispartofdatefrom2020-11-11
dc.relation.ispartofdateto2020-11-13
dc.relation.ispartoflocationBelo Horizonte, Brazil
dc.subject.fieldofresearchMusicology and ethnomusicology
dc.subject.fieldofresearchcode360306
dc.titleImprovisation in the in-between: jazz, affect and artistic research
dc.typeConference output
dc.type.descriptionE2 - Conferences (Non Refereed)
dcterms.bibliographicCitationStover, C, Improvisation in the in-between: jazz, affect and artistic research, 2020
dc.date.updated2020-11-27T04:54:36Z
dc.description.versionVersion of Record (VoR)
gro.rights.copyright© The Authors 2020. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the conference's website for access to the definitive, published version.
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gro.griffith.authorStover, Chris


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    Contains papers delivered by Griffith authors at national and international conferences.

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