Mixing Music: Perspective on Music Production, Russ Hepworth-Sawyer and Jay Hodgson (eds) (2017) (Book review)

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Accepted Manuscript (AM)
Author(s)
Anthony, Brendan
Griffith University Author(s)
Year published
2020
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Show full item recordAbstract
The practice of mixing music is one of the last creative stages of the music production process and as such, it is a highly sought-after skill and employable attribute. Yet as a result of the development of the digital analogue workstation (DAW) the practice of mixing has become democratized for professionals and amateurs alike. Subsequently, the current discourse surrounding mixing often comes from a vast array of perspectives.The practice of mixing music is one of the last creative stages of the music production process and as such, it is a highly sought-after skill and employable attribute. Yet as a result of the development of the digital analogue workstation (DAW) the practice of mixing has become democratized for professionals and amateurs alike. Subsequently, the current discourse surrounding mixing often comes from a vast array of perspectives.
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Journal Title
Journal of Popular Music Education
Volume
4
Issue
3
Copyright Statement
© 2020 Intellect Ltd . This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal website for access to the definitive, published version.
Subject
Performing Arts and Creative Writing