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dc.contributor.authorTranter, Kieran
dc.date.accessioned2021-01-06T02:41:16Z
dc.date.available2021-01-06T02:41:16Z
dc.date.issued2019
dc.identifier.issn1038-3441
dc.identifier.doi10.1080/10383441.2019.1702254
dc.identifier.urihttp://hdl.handle.net/10072/400687
dc.description.abstractDavid Lodge’s ‘Campus Trilogy’ of novels 1 introduced the Californian literature theory Professor Morris Zapp. Loosely modelled off Stanley Fish, Zapp, particularly in the second book Small World set on the 1979 modern literature conference circuit, bombasts a cartoonish post-structural semiotics. The world is text; theorising is text, therefore any theory is wordplay. And – the ‘Zap!’ (hence his surname) any proposed theory of art, literature, politics, philosophy, is reducible and encapsulated by his meta-theory of a bottomless world of text on text on text … . 2
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherRoutledge: Taylor & Francis Group
dc.relation.ispartofpagefrom353
dc.relation.ispartofpageto356
dc.relation.ispartofissue3
dc.relation.ispartofjournalGriffith Law Review
dc.relation.ispartofvolume28
dc.subject.fieldofresearchLaw and legal studies
dc.subject.fieldofresearchcode48
dc.subject.keywordsSocial Sciences
dc.subject.keywordsGovernment & Law
dc.titleTechnology and the trajectory of myth (Book review)
dc.typeJournal article
dc.type.descriptionC2 - Articles (Other)
dcterms.bibliographicCitationTranter, K, Technology and the trajectory of myth (Book review), Griffith Law Review, 2019, 28 (3), pp. 353-356
dc.date.updated2021-01-06T02:24:22Z
gro.hasfulltextNo Full Text
gro.griffith.authorTranter, Kieran M.


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