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dc.contributor.authorHeinrich, Marie
dc.coverage.spatialThe Flute Tree and Woodwind Group: Suite 1/111 Moore St, Leichhardt NSW 2040, Australia
dc.date.accessioned2021-02-01T04:11:21Z
dc.date.available2021-02-01T04:11:21Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/10072/401599
dc.description.abstractResearch Background Contemporary Iranian Art Music: A Lecture and Recital, explores culturally informed performance practice and interpretation in the flute music of Reza Vali, with an analysis of his repertoire influenced by the Iranian Dastgāh-Maqām System. It focuses on two works, Zānd: Calligraphy No.2 (1999) and an improvisation based on Gūše-ye Deylamān from his Concerto for Flute and Orchestra (1997) and the Concerto for Ney and Orchestra (2003). Belonging to the research fields of intercultural musicology and intercultural music performance practice, this lecture-recital addresses the following research questions: 1. Which methods, strategies and performance practices allow Western-trained flautists to access and produce culturally-informed interpretations and performances of Reza Vali's flute compositions based on the Dastgāh-Maqām System? 2. How is the Dastgāh-Maqām System integrated into the compositional structure of Reza Vali's works for Western flute? Research Contribution This lecture-recital is the first investigation that analyses challenges for Western-trained flautists performing Iranian music and provides suggestions for a culturally-informed performance practice. The lecture-recital fills a gap in academic scholarship as there has never been a musical analysis on the Concerto for Flute and Orchestra or Zānd: Calligraphy No. 2 nor has there been a performance of these works. Research Significance The Iranian Dastgāh-Maqām System's implementation in Vali's flute repertoire provides Western-trained flautists with an introduction to Iranian music. A musical analysis and performance guidelines for Vali's music will facilitate authenticity in these works' interpretation and performance from a culturally-informed perspective, which may be applicable to other intercultural repertoires' performance.
dc.subject.fieldofresearchPerforming Arts and Creative Writing
dc.subject.fieldofresearchMusic Performance
dc.subject.fieldofresearchMusicology and Ethnomusicology
dc.subject.fieldofresearchcode1904
dc.subject.fieldofresearchcode190407
dc.subject.fieldofresearchcode190409
dc.titleConcerto for Flute and Orchestra and Concerto for Ney and Orchestra: Improvisation on Gūse-ye Deylamān
dc.typeCreative work
dc.type.descriptionR1_1 Music (Major Research)
dcterms.bibliographicCitationHeinrich, M, Concerto for Flute and Orchestra and Concerto for Ney and Orchestra: Improvisation on Gūse-ye Deylamān, 2019
dc.date.updated2021-01-30T12:55:37Z
dc.description.versionVersion of Record (VoR)
gro.description.notepublicLive Performance of an improvisation based on Gūse-ye Deylamān from the Concerto for Flute and Orchestra and Concerto for Ney and Orchestra by Reza Vali. Features Marie Heinrich on Western flute.
gro.rights.copyrightThe copyright in this creative work belongs to the Griffith artist.
gro.hasfulltextFull Text
gro.griffith.authorHeinrich, Marie I.


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