Metascore: User Interface Design for Generative Film Scoring

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Author(s)
Hedemann, Callum
Sorensen, Andrew
Brown, Andrew R.
Griffith University Author(s)
Year published
2008
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This paper outlines an application called Metascore that provides a visual interface for the control and synchronising of parameters for generative film music scores. Metascore is part of a project under development at the Australasian CRC for Interaction Design (ACID), the aim of which is to create a real-time automatic film scoring system. Metascore allows the user to compose music, using high-level descriptions of compositional intent, in synchronisation with video. Metascore allows control of constant parameters within sections that demarcate film cues, and control of continually varying parameters through free-form break ...
View more >This paper outlines an application called Metascore that provides a visual interface for the control and synchronising of parameters for generative film music scores. Metascore is part of a project under development at the Australasian CRC for Interaction Design (ACID), the aim of which is to create a real-time automatic film scoring system. Metascore allows the user to compose music, using high-level descriptions of compositional intent, in synchronisation with video. Metascore allows control of constant parameters within sections that demarcate film cues, and control of continually varying parameters through free-form break point envelopes. Parameter values in Metascore can themselves be expressions or functions, enabling extensive flexibility for adaptive control of the algorithmic score. This paper will describe the Metascore interface design and illustrate its use in the context of producing an orchestral score for a documentary film.
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View more >This paper outlines an application called Metascore that provides a visual interface for the control and synchronising of parameters for generative film music scores. Metascore is part of a project under development at the Australasian CRC for Interaction Design (ACID), the aim of which is to create a real-time automatic film scoring system. Metascore allows the user to compose music, using high-level descriptions of compositional intent, in synchronisation with video. Metascore allows control of constant parameters within sections that demarcate film cues, and control of continually varying parameters through free-form break point envelopes. Parameter values in Metascore can themselves be expressions or functions, enabling extensive flexibility for adaptive control of the algorithmic score. This paper will describe the Metascore interface design and illustrate its use in the context of producing an orchestral score for a documentary film.
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Conference Title
Sound : Space - The Australasian Computer Music Conference 2008
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Copyright Statement
© The Author(s) 2008. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this conference please refer to the conference's website or contact the authors.
Subject
Performing Arts and Creative Writing not elsewhere classified