Show simple item record

dc.contributor.authorBarrett, Lloyden_US
dc.contributor.authorR. Brown, Andrewen_US
dc.contributor.editorSorensen, Andrew C.en_US
dc.date.accessioned2017-05-03T11:49:49Z
dc.date.available2017-05-03T11:49:49Z
dc.date.issued2009en_US
dc.date.modified2011-08-26T09:01:34Z
dc.identifier.urihttp://hdl.handle.net/10072/40335
dc.description.abstractThe evolution of the laptop computer as a musical instrument in the 1990s provided a tool for empowering the solo musician and divergent approaches to the application of this technology in performance remain consistently debated. The increasing ubiquity of digital media combined with the power of current generation notebook technology has provided the perfect platform to realise integrated audio-visual toolsets that respond to musical controllers and provide mixed-media results. Despite emerging practitioners increasingly availing themselves to the musical affordances of this technology, theoretical discussion in the field ignores the various approaches a solo musician might take in developing integrated media works for performance. In an increasingly crowded niche there is a clear compulsion to consider expanded modes of performance, yet lacking any formal framework these integrations can easily alienate an audience, distract from performance and lead to criticisms of novelty for novelty's sake.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.format.extent204517 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherAustralasian Computer Music Association (ACMA)en_US
dc.publisher.placeKelvin Grove, QLDen_US
dc.publisher.urihttp://conference.acma.asn.au/ocs/index.php/acmc/acmc09en_AU
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofconferencenameThe Australasian Computer Music Conference 2009en_US
dc.relation.ispartofconferencetitleImprovise: The Australasian Computer Music Conference 2009en_US
dc.relation.ispartofdatefrom2009-07-02en_US
dc.relation.ispartofdateto2009-07-04en_US
dc.relation.ispartoflocationKelvin Grove, Australiaen_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchPerforming Arts and Creative Writing not elsewhere classifieden_US
dc.subject.fieldofresearchcode190499en_US
dc.titleTowards a definition of the performing AudioVisualisten_US
dc.typeConference outputen_US
dc.type.descriptionE1 - Conference Publications (HERDC)en_US
dc.type.codeE - Conference Publicationsen_US
gro.rights.copyrightCopyright remains with the authors 2009. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this conference please refer to the conference's website or contact the authors.en_AU
gro.date.issued2009
gro.hasfulltextFull Text


Files in this item

This item appears in the following Collection(s)

  • Conference outputs
    Contains papers delivered by Griffith authors at national and international conferences.

Show simple item record