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  • The Ambidrum: Automated Rhythmic Improvisation

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    73094_1.pdf (608.7Kb)
    Author(s)
    Gifford, Toby
    Brown, Andrew R.
    Griffith University Author(s)
    Brown, Andrew R.
    Year published
    2006
    Metadata
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    Abstract
    This paper outlines a system for machine improvisation with a human performer where the focus is limited to the provision of rhythmic complementarity. Complementarity is achieved through the real-time measurement of metrical coherence in currently playing rhythmic material that informs the generation of subsequent material. A robust computational approach building on recent theories of improvisational intelligence and situated cognition is described. This algorithm can be effective across a range of musical styles.This paper outlines a system for machine improvisation with a human performer where the focus is limited to the provision of rhythmic complementarity. Complementarity is achieved through the real-time measurement of metrical coherence in currently playing rhythmic material that informs the generation of subsequent material. A robust computational approach building on recent theories of improvisational intelligence and situated cognition is described. This algorithm can be effective across a range of musical styles.
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    Conference Title
    Medi(t)ations: computers/music/intermedia - The Proceedings of Australasian Computer Music Conference 2006
    Publisher URI
    http://acma.asn.au/conferences/acmc2006/
    Copyright Statement
    © The Author(s) 2006. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this conference please refer to the conference's website or contact the authors.
    Subject
    Performing Arts and Creative Writing not elsewhere classified
    Publication URI
    http://hdl.handle.net/10072/40354
    Collection
    • Conference outputs

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