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dc.contributor.authorBrown, Andrewen_US
dc.contributor.authorMuhlberger, Ralfen_US
dc.contributor.authorR. Livingstone, Stevenen_US
dc.contributor.editorTimothy Opie and Andrew R. Brownen_US
dc.date.accessioned2017-04-04T15:19:51Z
dc.date.available2017-04-04T15:19:51Z
dc.date.issued2005en_US
dc.date.modified2011-08-26T08:59:01Z
dc.identifier.urihttp://hdl.handle.net/10072/40365
dc.identifier.urihttp://acma.asn.au/conferences/acmc2005/en_AU
dc.description.abstractAn exquisite music performance can move an audience to tears of joy, or those of sorrow. The job of a good performer then is to convey not just the music's notated structure, but also its emotional metadata. In time, the performer will also learn to respond musically to the state of a live audience; matching their emotional ebb and flow to maintain interest for the concert's entirety. This work will discuss an Affective Performance framework in which compositions are marked up with emotional intent, or narrative. This mark-up directs the emotive adaptation of the symbolic score's reproduction, enhancing the computer music's realism. Examining the cognitive model of emotions appraisal theory, we highlight some key evidence underlying the principle of music expectancy and its central role in maintaining a listener's musical interest. This knowledge will play a significant role in developing an adaptive music engine in which the traditionally static score is manipulated in real time. We will also show how new Affective Computing technologies for reading the emotional state of users can be employed to further adapt the performance to account for audience emotional state. We end with an illustration of the framework, with examples in computer gaming engines and enhanced live performances for a distributed audience.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_AU
dc.format.extent311367 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_AU
dc.publisherAustralasian Computer Music Association (ACMA)en_US
dc.publisher.placeFitzroy, Australiaen_US
dc.publisher.urihttp://acma.asn.au/conferences/en_AU
dc.relation.ispartofstudentpublicationNen_AU
dc.relation.ispartofconferencenameAustralasian Computer Music Conference 2005en_US
dc.relation.ispartofconferencetitleGenerate + Test: - The Proceedings of Australasian Computer Music Conference 2005en_US
dc.relation.ispartofdatefrom2005-07-12en_US
dc.relation.ispartofdateto2005-07-14en_US
dc.relation.ispartoflocationBrisbane, Australiaen_US
dc.rights.retentionYen_AU
dc.subject.fieldofresearchPerforming Arts and Creative Writing not elsewhere classifieden_US
dc.subject.fieldofresearchcode190499en_US
dc.titlePlaying with Affect: Music Performance with awareness of Score and Audienceen_US
dc.typeConference outputen_US
dc.type.descriptionE1 - Conference Publications (HERDC)en_US
dc.type.codeE - Conference Publicationsen_US
gro.rights.copyrightCopyright remains with the authors 2005. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this conference please refer to the conference's website or contact the authors.en_AU
gro.date.issued2005
gro.hasfulltextFull Text


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  • Conference outputs
    Contains papers delivered by Griffith authors at national and international conferences.

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