Australian landscapes both actual and perceptual can represent and enact space, and as such, can read, politicise and activate ways in which cultural geographies are imagined in contemporary theatre explorations (Carleton 2009). As a practice-led playwright researcher, I investigate theatrical landscapes to explore how cultural and environmental knowledge can effectively emerge through a play text or production. My creative research therefore contributes to debates in ecological and eco-critical fields through an analysis of how disappearing non-human nature may be attributed to cultural construction. The following discussion analyses a devised work which utilises an eco-critical framework to promote climate literacies in audience members –: Dust (Hassall 2015). The play explores and dismantles our Master Narratives – referred to within as ‘miracles’ - by exploring the negative impacts of human behaviour on non-human nature. The theatrical landscape is both physical and psychological, and generates the deconstruction of ideological perceptions of disappearing non-human nature as we know it. Dust aligns climate change themes with eco-critical debates and poses questions pertaining to contemporary custodianship of the landscape, environment and non-human nature. Further, the discussion provides an intersection between playwriting practice, politicised environmental themes and eco-critical dialogues, and identifies how contemporary environmental factors can stimulate climate change discussion in performance paradigms.