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dc.contributor.authorWoodland, Sarah
dc.contributor.authorHazou, Rand
dc.date.accessioned2021-07-28T05:36:43Z
dc.date.available2021-07-28T05:36:43Z
dc.date.issued2021
dc.identifier.issn1356-9783
dc.identifier.doi10.1080/13569783.2021.1944805
dc.identifier.urihttp://hdl.handle.net/10072/406423
dc.description.abstractThreatened with ever-increasing levels of surveillance and confinement, this special issue attempts to extend the discussion of Prison Theatre to consider ‘carcerality’ as a pervasive neoliberal strategy. The issue aims to steer the discussion away from considerations of utility and the aesthetics of redemption, towards understandings of the arts in carceral spaces as a fundamental human right. What role can theatre and performance play in highlighting the rights of those experiencing state-sponsored control, confinement and exclusion? And what role can theatre and performance play in challenging the exclusionary structures of carcerality by enhancing freedoms, liberty and inclusion?
dc.description.peerreviewedYes
dc.languageen
dc.publisherInforma UK Limited
dc.relation.ispartofpagefrom385
dc.relation.ispartofpageto405
dc.relation.ispartofissue3
dc.relation.ispartofjournalResearch in Drama Education: The Journal of Applied Theatre and Performance
dc.relation.ispartofvolume26
dc.subject.fieldofresearchSpecialist studies in education
dc.subject.fieldofresearchPerforming arts
dc.subject.fieldofresearchcode3904
dc.subject.fieldofresearchcode3604
dc.titleCarcerality, theatre, rights (Editorial)
dc.typeJournal article
dc.type.descriptionC1 - Articles
dcterms.bibliographicCitationWoodland, S; Hazou, R, Carcerality, theatre, rights (Editorial), Research in Drama Education: The Journal of Applied Theatre and Performance, 2021, 26 (3), pp. 385-405
dc.date.updated2021-07-27T01:16:05Z
gro.hasfulltextNo Full Text
gro.griffith.authorWoodland, Sarah J.


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