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dc.contributor.authorDraper, Paulen_US
dc.contributor.authorEmmerson, Stephenen_US
dc.date.accessioned2017-05-03T12:17:26Z
dc.date.available2017-05-03T12:17:26Z
dc.date.issued2011en_US
dc.date.modified2014-03-06T02:45:36Z
dc.identifier.issn17549892en_US
dc.identifier.urihttp://hdl.handle.net/10072/40806
dc.description.abstractThis paper examines the recent recording of solo piano music composed in 1908. The project offers the premise that there are liberating and research-worthy possibilities for combining the two traditions of Western art music performance and contemporary sound manipulation as a compelling language to amplify artistic interpretations. This challenges a predominant approach to the recording of Classical music which promotes the illusion of capturing a concert experience and that the production decisions appear to be transparent. The paper concludes that these new recordings offer a promising route for audiences to experience the music as a virtual artwork in its own right, where the creators interrupt production conventions and otherwise spontaneous assumptions. In documenting these processes in an ongoing way, the authors seek to contribute to the understanding of artistic practice as research within the contemporary academic landscape.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_US
dc.format.extent408781 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_US
dc.publisherAssociation for the Study of the Art of Record Productionen_US
dc.publisher.placeUnited Kingdomen_US
dc.publisher.urihttp://arpjournal.com/1121/remixing-modernism-re-imagining-the-music-of-berg-schoenberg-and-bartok-in-our-time/en_US
dc.relation.ispartofstudentpublicationNen_US
dc.relation.ispartofpagefrom1en_US
dc.relation.ispartofpageto13en_US
dc.relation.ispartofissue5en_US
dc.relation.ispartofjournalJournal on the Art of Record Productionen_US
dc.relation.ispartofvolume2011en_US
dc.rights.retentionYen_US
dc.subject.fieldofresearchMusic Performanceen_US
dc.subject.fieldofresearchcode190407en_US
dc.titleRemixing Modernism: Re-imagining the music of Berg, Schoenberg and Bartók in our timeen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.facultyArts, Education & Law Group, Queensland Conservatoriumen_US
gro.rights.copyrightCopyright remains with the authors 2011.The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this journal please refer to the journal’s website or contact the authors.en_US
gro.date.issued2011
gro.hasfulltextFull Text


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