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dc.contributor.authorHarding, Jason
dc.contributor.editorWatson, Ashleigh
dc.date.accessioned2021-11-09T04:35:33Z
dc.date.available2021-11-09T04:35:33Z
dc.date.issued2021
dc.identifier.issn2209-3028en_US
dc.identifier.urihttp://hdl.handle.net/10072/409955
dc.description.abstractThe research question was to respond to Sujatha Fernandes's article, 'The evisceration of storytelling'. Oxford University Press, June 19, 2018. But the method showcased / published here is a mixed-methods approach - allowing me to respond in another way - and in the process help me find what I wanted to say. It allowed me to also focus in on Bayo Akomalfe’s concept of ‘exile’ / walking away to create an alternative / better future. I started working on some form of imagery - every time I write - it allows me to create imagery at the same time as - and associated with - a piece of writing. They work together / allow me to create two pieces of original work at the same time. The So Fi Zine publication itself is focussed on the fields of sociology, sociological fiction, poetry, and visual art. I used this mixed methods approach - in this case printmaking and photography - to respond to and build on Fernandes's article and make a statement about technology and social media. The published image here was not the final intaligo print - it was an image I photographed of the actual printmaking plate used to create the print - before I destroyed it. The image is of the process. Not the outcome. And the process was where the research / writing took place. The final print was ultimately irrelevant. The printmaking - and some of the final textual work for ‘Exile’ - was undertaken at Byron School Of Art in Mullumbimby, NSW. The created work is a piece of photography. Of an intaligo printmaking process. Undertaken whilst writing / responding to a research question / prompt. The work was submitted as part of a call for submissions for So Fi Zine Edition #9 and reviewed and accepted by So Fi Zine’s founder / editor Ashleigh Watson (UNSW) on 20th May 2021. So Fi Zine is an indie publication for sociological fiction, poetry, and visual art with nine editions published so far - the 10th is currently under review. So Fi Zine’s website receives around 4.5K views every 6 months.en_US
dc.publisherFrances St Pressen_US
dc.publisher.urihttps://sofizine.com/latest-edition/edition-9/en_US
dc.relation.ispartofpagefrom66en_US
dc.relation.ispartofpageto66en_US
dc.relation.ispartofjournalSo Fi Zineen_US
dc.relation.ispartofvolume9en_US
dc.subject.fieldofresearchVisual artsen_US
dc.subject.fieldofresearchFine artsen_US
dc.subject.fieldofresearchPhotography, video and lens-based practiceen_US
dc.subject.fieldofresearchVisual arts not elsewhere classifieden_US
dc.subject.fieldofresearchcode3606en_US
dc.subject.fieldofresearchcode360602en_US
dc.subject.fieldofresearchcode360604en_US
dc.subject.fieldofresearchcode360699en_US
dc.titleel-ixeen_US
dc.typeCreative worken_US
dcterms.bibliographicCitationHarding, J, el-ixe, So Fi Zine, 9, p. 66-66, 2021en_US
dcterms.licensehttps://creativecommons.org/licenses/by/4.0/en_US
dc.date.updated2021-11-08T23:41:43Z
dc.description.versionVersion of Record (VoR)en_US
gro.description.notepublicPhotograph of an intaligo printmaking plate - used as part of a mixed-methods research approach.en_US
gro.rights.copyright© The Author(s) 2021. This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 International License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.en_US
gro.hasfulltextFull Text
gro.griffith.authorHarding, Jason W.


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