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  • Incised stone artefact in the context of Middle Holocene burials at Cappalombo 1, South Sulawesi, Indonesia | Artefak batu bergores dalam konteks penguburan Holosen Tengah di Situs Cappalombo 1, Sulawesi Selatan, Indonesia

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    Author(s)
    Suryatman
    Fakhri
    Hakim, Budianto
    Perston, Yinika
    Sardi, Ratno
    Newman, Kim
    Hasanuddin
    Muhammad Nur
    Muda, Khadijah
    Griffith University Author(s)
    Newman, Kim J.
    Perston, Yinika
    Year published
    2021
    Metadata
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    Abstract
    Since the recent discovery of Late Pleistocene rock art in Island Southeast Asia was announced, evidence for symbolic behaviour in the region has become a focus of international archaeological interest. South Sulawesi is one region that hold much evidence for this important human activity. In addition to the cave paintings, several engraved stone artefacts have also been recovered in the same area, nearly all of which date back to the Late Pleistocene. However, while cave use by ‘hunter-gatherer’ societies continued into the Holocene period, archaeological evidence for symbolic expression during this Toalean period is extremely ...
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    Since the recent discovery of Late Pleistocene rock art in Island Southeast Asia was announced, evidence for symbolic behaviour in the region has become a focus of international archaeological interest. South Sulawesi is one region that hold much evidence for this important human activity. In addition to the cave paintings, several engraved stone artefacts have also been recovered in the same area, nearly all of which date back to the Late Pleistocene. However, while cave use by ‘hunter-gatherer’ societies continued into the Holocene period, archaeological evidence for symbolic expression during this Toalean period is extremely rare. Here, we report for the first time on engraved stone artefacts from the Middle Holocene period, associated with six human burials. Of ten incised artefacts recovered, eight are stone flakes and two are stone plaquettes, all made of hematite material. Our study suggests that unlike comparative Pleistocene engraved stones, the incisions on the Cappalombo artefacts are more likely the result of use-wear that occurs from producing red pigment powder than portable artworks. As no Toalean-age cave art has yet been identified, it is suspected that pigment powder was applied to the corpses as part of a burial practice or perhaps smeared on the body of the person/s performing the ceremony itself as part of a symbolic ritualistic activity.
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    Journal Title
    SPAFA Journal
    Volume
    5
    DOI
    https://doi.org/10.26721/spafajournal.2021.v5.684
    Copyright Statement
    © 2021 SEAMEO SPAFA and authors This is an open-access article distributed under the terms of the Creative Commons 4.0 Attribution Non Commercial-No Derivatives License (CC BY-NC-ND 4.0), which permits copying, distribution and reproduction in any medium, provided the original author and source are credited.
    Subject
    Archaeology
    Anthropology
    Publication URI
    http://hdl.handle.net/10072/410313
    Collection
    • Journal articles

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