• myGriffith
    • Staff portal
    • Contact Us⌄
      • Future student enquiries 1800 677 728
      • Current student enquiries 1800 154 055
      • International enquiries +61 7 3735 6425
      • General enquiries 07 3735 7111
      • Online enquiries
      • Staff phonebook
    View Item 
    •   Home
    • Griffith Research Online
    • Book chapters
    • View Item
    • Home
    • Griffith Research Online
    • Book chapters
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

  • All of Griffith Research Online
    • Communities & Collections
    • Authors
    • By Issue Date
    • Titles
  • This Collection
    • Authors
    • By Issue Date
    • Titles
  • Statistics

  • Most Popular Items
  • Statistics by Country
  • Most Popular Authors
  • Support

  • Contact us
  • FAQs
  • Admin login

  • Login
  • Introduction

    Author(s)
    Stover, Christopher
    Cachopo, João Pedro
    Nickleson, Patrick
    Griffith University Author(s)
    Stover, Chris
    Year published
    2020
    Metadata
    Show full item record
    Abstract
    What new problematics does a turn to music animate in Rancière’s political-aesthetic thought? What existing problematics can be newly attended to, and what new deployments can be imagined? What musicalities are revealed in his thought and writings by such a turn? What, in short, is the role of music, of the musical, of musicking for Rancière, either explicitly or implicitly? And backing up slightly, what is the role of sound? Is sound the medium in which the art of the muses is inextricably embedded? Or can music reach beyond the sonic sphere in the course of its various metamorphoses? Music is overtly present in Rancière’s ...
    View more >
    What new problematics does a turn to music animate in Rancière’s political-aesthetic thought? What existing problematics can be newly attended to, and what new deployments can be imagined? What musicalities are revealed in his thought and writings by such a turn? What, in short, is the role of music, of the musical, of musicking for Rancière, either explicitly or implicitly? And backing up slightly, what is the role of sound? Is sound the medium in which the art of the muses is inextricably embedded? Or can music reach beyond the sonic sphere in the course of its various metamorphoses? Music is overtly present in Rancière’s writing only very rarely; indeed, it has become a truism that Rancière does not have much to say about music. But music is often tacitly – mutely – present in his thought, and we can see how it rises to the surface as a point of intersection and resonance between the arts, through or as musicality.
    View less >
    Book Title
    Rancière and Music
    Publisher URI
    https://edinburghuniversitypress.com/book-ranciere-and-music.html
    Subject
    Musicology and ethnomusicology
    Publication URI
    http://hdl.handle.net/10072/411665
    Collection
    • Book chapters

    Footer

    Disclaimer

    • Privacy policy
    • Copyright matters
    • CRICOS Provider - 00233E
    • TEQSA: PRV12076

    Tagline

    • Gold Coast
    • Logan
    • Brisbane - Queensland, Australia
    First Peoples of Australia
    • Aboriginal
    • Torres Strait Islander