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dc.contributor.authorThomas, Daviden_US
dc.contributor.editorEvi Franzidisen_US
dc.date.accessioned2017-05-03T15:28:23Z
dc.date.available2017-05-03T15:28:23Z
dc.date.issued2011en_US
dc.date.modified2012-03-06T05:44:08Z
dc.identifier.issn1839-6429en_US
dc.identifier.urihttp://hdl.handle.net/10072/43016
dc.description.abstractThis paper considers the journey made from studio to stardom by fictional character Pupkin, as well as the work of real-life (and now deceased) artist Martin Kippenberger, who worked with numerous collaborators and assistants. Kippenberger's work reveals the complexities of subjectivity and its functions in the studio and the museum, deliberately questioning the very possibility of an artist's self-representation. Moreover, he lampooned the idea of the studio as a place for self-construction and the museum as a site for subjective confession, reflection, and transformation.en_US
dc.description.peerreviewedYesen_US
dc.description.publicationstatusYesen_US
dc.format.extent59729 bytes
dc.format.mimetypeapplication/pdf
dc.languageEnglishen_US
dc.language.isoen_US
dc.publisherOctivium Pressen_US
dc.publisher.placeAustraliaen_US
dc.publisher.urihttps://www.australianacademicpress.com.au/journals/details/26/Studio_Researchen_US
dc.relation.ispartofstudentpublicationNen_US
dc.relation.ispartofpagefrom9en_US
dc.relation.ispartofpageto15en_US
dc.relation.ispartofissue0en_US
dc.relation.ispartofjournalStudio Researchen_US
dc.relation.ispartofvolume1en_US
dc.rights.retentionYen_US
dc.subject.fieldofresearchArt Theoryen_US
dc.subject.fieldofresearchcode190103en_US
dc.titleZones of subjective projection: the artist's studio and the museumen_US
dc.typeJournal articleen_US
dc.type.descriptionC1 - Peer Reviewed (HERDC)en_US
dc.type.codeC - Journal Articlesen_US
gro.facultyArts, Education & Law Group, Queensland College of Arten_US
gro.rights.copyrightCopyright 2011 Australian Academic Press. This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.en_US
gro.date.issued2011
gro.hasfulltextFull Text


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