Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex

View/ Open
Author(s)
Taylor, Jodie
Griffith University Author(s)
Year published
2012
Metadata
Show full item recordAbstract
Across ages and cultures, music's relationship to sexual allure and its adept capacity for invoking pleasure, eroticism, and desire are well established. Music's ability to arouse and channel sexual urges and desires renders it both a dynamic mode of gender and sexual signification and a putative agent of moral corruption. Music can convey coded sexual innuendo, give shape to a person's erotic agency, or constitute a significant part of their sexual identity. For some, listening to music may, in fact, be considered an erotically pleasurable or even a sexual act. Drawing selectively on music's erotic history, on queer ...
View more >Across ages and cultures, music's relationship to sexual allure and its adept capacity for invoking pleasure, eroticism, and desire are well established. Music's ability to arouse and channel sexual urges and desires renders it both a dynamic mode of gender and sexual signification and a putative agent of moral corruption. Music can convey coded sexual innuendo, give shape to a person's erotic agency, or constitute a significant part of their sexual identity. For some, listening to music may, in fact, be considered an erotically pleasurable or even a sexual act. Drawing selectively on music's erotic history, on queer erotic possibilities, as well as on contemporary accounts of musicallymediated eroticism and identity situated across a broad range of popular genres, this paper will examine the way music can be used to catalyze and negotiate erotic pleasures. Specifically, it will examine this in terms of what the author names as 'musico-sexual synergies'. These include: music as a stylistic marker of sexual identity; music as a structuring device for sexual action; and the fetishization of music and/or sound - that is, the sexual fetish known as 'auralism'.
View less >
View more >Across ages and cultures, music's relationship to sexual allure and its adept capacity for invoking pleasure, eroticism, and desire are well established. Music's ability to arouse and channel sexual urges and desires renders it both a dynamic mode of gender and sexual signification and a putative agent of moral corruption. Music can convey coded sexual innuendo, give shape to a person's erotic agency, or constitute a significant part of their sexual identity. For some, listening to music may, in fact, be considered an erotically pleasurable or even a sexual act. Drawing selectively on music's erotic history, on queer erotic possibilities, as well as on contemporary accounts of musicallymediated eroticism and identity situated across a broad range of popular genres, this paper will examine the way music can be used to catalyze and negotiate erotic pleasures. Specifically, it will examine this in terms of what the author names as 'musico-sexual synergies'. These include: music as a stylistic marker of sexual identity; music as a structuring device for sexual action; and the fetishization of music and/or sound - that is, the sexual fetish known as 'auralism'.
View less >
Journal Title
Continuum
Volume
26
Issue
4
Copyright Statement
© 2012 Taylor & Francis. This is an electronic version of an article published in Continuum, Volume 26, Issue 4, 2012, Pages 603-614. Continuum is available online at: http://www.tandfonline.com with the open URL of your article.
Subject
Culture, Gender, Sexuality
Musicology and Ethnomusicology
Film, Television and Digital Media
Communication and Media Studies
Cultural Studies