Scenes and sexualities: Queerly reframing the music scenes perspective
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Historically, research on music cultures has favoured examination of the subcultural affiliations of the youthful urban white working-class heterosexual male. While the prominence of this subject has since been contested by a number of scholars, even the most celebrated forms of scholarship in this area continue to work within heteronormative discourses. In fact, omitted considerations of non-heterosexualities and sexual styles are a stark reminder of the frequent invisibility of the queer subject, not only in relation to much subcultural and post-subcultural theory, but also in relation to broader discussions about musical and extra-musical style generally. This paper addresses these omissions. Specifically, it reviews existing music scenes literature demonstrating how, as a theoretical concept, scene has emerged out of the reductiveness and rigidity of subcultural theory. It examines work on musically mediated performances of sexuality, identifying the need for more work around sexualities and music scenes in everyday contexts. It proposes how and by whom such work can be done. And it details the integration of queer theories into the music scenes perspective, showing how 'scene' can accommodate a more flexible approach to queer collective formations which is necessary for everyday musically mediated queer subjectivities to be understood.
Continuum: Journal of Media and Cultural Studies
Copyright 2012 Taylor & Francis. This is an electronic version of an article published in Continuum, Volume 26, Issue 1, 2012, Pages 143-156. Continuum is available online at: http://www.tandfonline.com with the open URL of your article.
Musicology and Ethnomusicology
Culture, Gender, Sexuality