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  • Noise as Abstraction: Enhancing the Poetic

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    Author(s)
    Mafe, Daniel
    Brown, Andrew Robert
    Griffith University Author(s)
    Brown, Andrew R.
    Year published
    2012
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    Abstract
    Abstraction in its resistance to evident meaning has the capacity to interrupt or at least provide tools with which to question an overly compliant reception of the information to which we are subject. It does so by highlighting a latency or potentiality inherent in materiality that points to the possibility of a critical resistance to this ceaseless flow of sound/image/data. This resistance has been remarked on in differing ways by a number of commentators such as Lyotard, in his exploration of the avant-garde and the sublime for example. This paper will initially map the collaborative project by Daniel Mafe and Andrew ...
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    Abstraction in its resistance to evident meaning has the capacity to interrupt or at least provide tools with which to question an overly compliant reception of the information to which we are subject. It does so by highlighting a latency or potentiality inherent in materiality that points to the possibility of a critical resistance to this ceaseless flow of sound/image/data. This resistance has been remarked on in differing ways by a number of commentators such as Lyotard, in his exploration of the avant-garde and the sublime for example. This paper will initially map the collaborative project by Daniel Mafe and Andrew Brown, Affecting Interference which conjoins painting with digital sound into a single, large scale, immersive exhibition/installation. The work acts as an interstitial point between contrasting approaches to abstraction: the visual and aural, the digital and analogue. The paper will then explore the ramifications of this through the examination of abstraction as ‘noise’, that is as that raw inassimilable materiality, within which lays the creative possibility to forge and embrace the as-yet-unthought and almost-forgotten. It does so by establishing a space for a more poetic and slower paced critical engagement for the viewing and receiving of information or data. This slowing of perception through the suspension of easy recognition runs counter to our current ‘high performance’ culture, and it’s requisite demand for speedy assimilation of content, representing instead the poetic encounter with a potentiality or latency inherent in the nameless particularity of that which is.
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    Conference Title
    Proceedings of the Second International Conference on Transdisciplinary Imaging at the Intersections Between Art, Science and Culture
    Publisher URI
    http://blogs.unsw.edu.au/tiic/transdisciplinary-imaging-conference-2012-2/speakers-2012/daniel-mafe-and-andrew-brown/
    Copyright Statement
    © The Author(s) 2012. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this conference please refer to the conference’s website or contact the author(s).
    Subject
    Fine Arts (incl. Sculpture and Painting)
    Publication URI
    http://hdl.handle.net/10072/50753
    Collection
    • Conference outputs

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