Morphing aural spaces in 7.1 music
Abstract
This paper outlines and discusses a method for improving interactivity in using space (aural and musical) as a compositional device in surround composition. The relative merits of 7.1 over 5.1 in this context are summarised. The question is asked if 'space' were granted equal compositional importance with the sounds themselves, what forms might this take, and how might one negotiate technical limitations that are imposed by digital audio workstations. Examples of technical and creative approaches are given.
Conference Title
Australasian Computer Music Conference: Interactive Conference Proceedings
Publisher URI
Http://acma.asn.au/conferences/
Copyright Statement
Copyright remains with the author 2012. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this conference please refer to the conference’s website or contact the author.
Subject
Musicology and Ethnomusicology