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  • Amateur photographic practice, collective representation and the constitution of place

    Author(s)
    Pink, Sarah
    Griffith University Author(s)
    Pink, Sarah
    Year published
    2011
    Metadata
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    Abstract
    This article explores the relationship between amateur photographic practices and the constitution of place. The analysis focuses on how amateur photography practices (broadly defined) are engaged in the processes through which UK Slow Cities are represented. I examine how the personal and the public/collective are co-implicated in processes of representation that bring together experienced realities, memories and imaginations together with the constitution of a specific type of 'slow' urban identity. I argue that while a focus on photography as practice offers a starting point for understanding its role in the constitution ...
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    This article explores the relationship between amateur photographic practices and the constitution of place. The analysis focuses on how amateur photography practices (broadly defined) are engaged in the processes through which UK Slow Cities are represented. I examine how the personal and the public/collective are co-implicated in processes of representation that bring together experienced realities, memories and imaginations together with the constitution of a specific type of 'slow' urban identity. I argue that while a focus on photography as practice offers a starting point for understanding its role in the constitution of urban identities, it needs to be situated further through a theory of place.
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    Journal Title
    Visual Studies
    Volume
    26
    Issue
    2
    DOI
    https://doi.org/10.1080/1472586X.2011.571884
    Subject
    Specialist Studies in Education not elsewhere classified
    Publication URI
    http://hdl.handle.net/10072/52704
    Collection
    • Journal articles

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