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dc.contributor.authorAhrens, Prue
dc.date.accessioned2013-03-23
dc.date.accessioned2013-09-11T23:46:33Z
dc.date.accessioned2017-03-01T22:44:44Z
dc.date.available2017-03-01T22:44:44Z
dc.date.issued2012
dc.date.modified2013-09-11T23:46:33Z
dc.identifier.issn1444-3058
dc.identifier.doi10.1080/14443058.2012.757272
dc.identifier.urihttp://hdl.handle.net/10072/53069
dc.description.peerreviewedNo
dc.description.publicationstatusYes
dc.publisherRoutledge
dc.publisher.placeLondon, United Kingdom
dc.relation.ispartofstudentpublicationN
dc.relation.ispartofpagefrom130
dc.relation.ispartofpageto131
dc.relation.ispartofissue1
dc.relation.ispartofjournalJournal of Australian Studies
dc.relation.ispartofvolume37
dc.rights.retentionY
dc.subject.fieldofresearchPostcolonial Studies
dc.subject.fieldofresearchcode200211
dc.titlePhotography, Early Cinema and Colonial Modernity: Frank Hurley's Synchronized Lecture Entertainments.
dc.typeJournal article
dc.type.descriptionC2 - Articles (Other)
dc.type.codec2
gro.facultyArts, Education and Law
gro.date.issued2012
gro.hasfulltextNo Full Text
gro.griffith.authorAhrens, Prue


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    Contains articles published by Griffith authors in scholarly journals.

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