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  • Controlling Interactive Music Performance (CIM)

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    BrownPUB31.pdf (512Kb)
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    Version of Record (VoR)
    Author(s)
    Brown, Andrew
    Gifford, Toby
    Griffith University Author(s)
    Voltz, Bradley
    Brown, Andrew R.
    Gifford, Toby M.
    Year published
    2013
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    Abstract
    Controlling Interactive Music (CIM) is an interactive music system for human-computer duets. Designed as a creativity support system it explores the metaphor of human-machine symbiosis, where the phenomeno- logical experience of interacting with CIM has both a degree of instrumentality and a sense of partner- ship. Building on Pachet's (2006) notion of reflexiv- ity, Young's (2009) explorations of conversational in- teraction protocols, and Whalley's (2012) experiments in networked human-computer music interaction, as well as our own previous work in interactive music systems (Gifford & Brown 2011), CIM applies an ac- ...
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    Controlling Interactive Music (CIM) is an interactive music system for human-computer duets. Designed as a creativity support system it explores the metaphor of human-machine symbiosis, where the phenomeno- logical experience of interacting with CIM has both a degree of instrumentality and a sense of partner- ship. Building on Pachet's (2006) notion of reflexiv- ity, Young's (2009) explorations of conversational in- teraction protocols, and Whalley's (2012) experiments in networked human-computer music interaction, as well as our own previous work in interactive music systems (Gifford & Brown 2011), CIM applies an ac- tivity/relationality/prominence based model of musical duet interaction. Evaluation of the system from both audience and performer perspectives yielded consen- sus views that interacting with CIM evokes a sense of agency, stimulates creativity, and is engaging.
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    Conference Title
    Proceedings of the Fourth International Conference on Computational Creativity
    Publisher URI
    http://www.computationalcreativity.net/iccc2013/
    Copyright Statement
    © 2013 Association for Computational Creativity. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the conference's website for access to the definitive, published version.
    Subject
    Music Performance
    Publication URI
    http://hdl.handle.net/10072/53513
    Collection
    • Conference outputs

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