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  • Cybernetic Configurations: Characteristics of Interactivity in the Digital Arts

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    90488_1.pdf (609.9Kb)
    Author(s)
    Gifford, Toby
    Brown, Andrew
    Griffith University Author(s)
    Brown, Andrew R.
    Gifford, Toby M.
    Year published
    2013
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    Abstract
    Cybernetic theory and interactive media art share much in common, including an interest in human relationships with technology, and in what their interactions reveal about both human and techno- logical agency. In this paper we identify four char- acteristics of cybernetic systems and discuss their relevance to interactive sound art. We hope to contribute to a critical lexicon around the cybernetic nature of interactive artworks more broadly, and to promote further engagement with the principles of cybernetics amongst electronic and digital arts practitioners and scholars.Cybernetic theory and interactive media art share much in common, including an interest in human relationships with technology, and in what their interactions reveal about both human and techno- logical agency. In this paper we identify four char- acteristics of cybernetic systems and discuss their relevance to interactive sound art. We hope to contribute to a critical lexicon around the cybernetic nature of interactive artworks more broadly, and to promote further engagement with the principles of cybernetics amongst electronic and digital arts practitioners and scholars.
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    Conference Title
    Proceedings of the 19th International Symposium of Electronic Art
    Publisher URI
    http://www.isea2013.org/
    Copyright Statement
    © 2013 authors & ISEA International. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the conference's website for access to the definitive, published version.
    Subject
    Electronic Media Art
    Music Composition
    Publication URI
    http://hdl.handle.net/10072/55330
    Collection
    • Conference outputs

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