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dc.contributor.authorMay, Anthony
dc.contributor.authorMa, XiaoLu
dc.date.accessioned2017-05-03T11:36:13Z
dc.date.available2017-05-03T11:36:13Z
dc.date.issued2014
dc.date.modified2014-08-08T04:02:56Z
dc.identifier.issn1030-4312
dc.identifier.doi10.1080/10304312.2014.870871
dc.identifier.urihttp://hdl.handle.net/10072/62029
dc.description.abstractHong Kong has long been the centre of Cantonese film-making. Its history from the 1970s to the handover of 1997 has been well documented as the recognition of its role as a supplier of films to the Chinese global diaspora became increasingly apparent. Since 1997, however, its production capability has been governed by the cultural policies of the People's Republic of China (PRC). This essay argues that the recent history, dominated by the different versions of the Closer Economic Partnership Agreement (CEPA), has been more complex than the simple transformation of Hong Kong into a portal for the PRC. Both Beijing and Hollywood have benefited from Hong Kong's strategic role but the complexity of the development shows no signs of easy prediction for any of the major players. Perhaps unsurprisingly, the opportunities granted to the local Hong Kong film community by the CEPA have led to a complex decade of development that has been profitable for local production but gives few clues to the role of Hong Kong in future Chinese cinema.
dc.description.peerreviewedYes
dc.description.publicationstatusYes
dc.languageEnglish
dc.publisherRoutledge
dc.publisher.placeAustralia
dc.relation.ispartofstudentpublicationN
dc.relation.ispartofpagefrom43
dc.relation.ispartofpageto51
dc.relation.ispartofissue1
dc.relation.ispartofjournalContinuum: Journal of Media and Cultural Studies
dc.relation.ispartofvolume28
dc.rights.retentionY
dc.subject.fieldofresearchMedia Studies
dc.subject.fieldofresearchFilm, Television and Digital Media
dc.subject.fieldofresearchCommunication and Media Studies
dc.subject.fieldofresearchCultural Studies
dc.subject.fieldofresearchcode200104
dc.subject.fieldofresearchcode1902
dc.subject.fieldofresearchcode2001
dc.subject.fieldofresearchcode2002
dc.titleHong Kong and the CEPA: the changing fortunes of Hong Kong film production
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
gro.facultyArts, Education & Law Group, School of Humanities, Languages and Social Sciences
gro.hasfulltextNo Full Text
gro.griffith.authorMay, Anthony
gro.griffith.authorMa, Coco


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