Osa Johnson's Road to Civilisation
Author(s)
Ahrens, Prue
Griffith University Author(s)
Year published
2014
Metadata
Show full item recordAbstract
The self-described 'motion picture explorer' American Martin Johnson frequently cast his wife Osa (1894-1953) as the star of his African and Asian Pacific expeditionary films. Her appeal to audiences was evidenced not just by the media hype surrounding the features, but also by the many spin-off enterprises the Johnsons variously produced and inspired, from published memoirs to a clothing-line. Throughout the Johnsons' productions, Osa performed a persona that fired American imaginations of what it was to be a modern American woman, significantly styling her body to fit the part. Set against the perceived 'primitivism' of ...
View more >The self-described 'motion picture explorer' American Martin Johnson frequently cast his wife Osa (1894-1953) as the star of his African and Asian Pacific expeditionary films. Her appeal to audiences was evidenced not just by the media hype surrounding the features, but also by the many spin-off enterprises the Johnsons variously produced and inspired, from published memoirs to a clothing-line. Throughout the Johnsons' productions, Osa performed a persona that fired American imaginations of what it was to be a modern American woman, significantly styling her body to fit the part. Set against the perceived 'primitivism' of Indigenous societies, Osa's look took exaggerated proportions as she appointed herself the local women's leader along a road to civilization, which ostensibly required the wearing of Western dress, styling and self-reflexivity.
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View more >The self-described 'motion picture explorer' American Martin Johnson frequently cast his wife Osa (1894-1953) as the star of his African and Asian Pacific expeditionary films. Her appeal to audiences was evidenced not just by the media hype surrounding the features, but also by the many spin-off enterprises the Johnsons variously produced and inspired, from published memoirs to a clothing-line. Throughout the Johnsons' productions, Osa performed a persona that fired American imaginations of what it was to be a modern American woman, significantly styling her body to fit the part. Set against the perceived 'primitivism' of Indigenous societies, Osa's look took exaggerated proportions as she appointed herself the local women's leader along a road to civilization, which ostensibly required the wearing of Western dress, styling and self-reflexivity.
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Journal Title
Clothing Cultures
Volume
1
Issue
2
Subject
Historical Studies not elsewhere classified
Design Practice and Management
Visual Arts and Crafts
Cultural Studies