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dc.contributor.authorBrown, Andrew Robert
dc.date.accessioned2013-12-12
dc.date.accessioned2014-08-15T01:55:33Z
dc.date.accessioned2017-03-02T00:24:52Z
dc.date.available2017-03-02T00:24:52Z
dc.date.issued1998
dc.date.modified2014-08-15T01:55:33Z
dc.identifier.urihttp://hdl.handle.net/10072/62304
dc.description.abstractThe composer, as creative artist, is an interesting case for the study of computer usage. They typically work deliberately against the grain of convention, are renowned for persisting with awkward and tedious tasks, and produce works not so much with the intent of stabilising data or a situation but, instead, structuring sound to perturb or surprise the recipients expectations to some degree. In this paper I will address how we might look at composers in a way which helps us understand their computer usage.
dc.description.peerreviewedNo
dc.description.publicationstatusYes
dc.publisherJournés d'Informatique Musicale
dc.publisher.placeToulon, France
dc.publisher.urihttp://jim.afim-asso.org/jim98/JIM98_eng.html
dc.relation.ispartofconferencenameJournés d'Informatique Musicale 1998
dc.relation.ispartofconferencetitleJIM '98
dc.relation.ispartofdatefrom1998-06-08
dc.relation.ispartofdateto1998-06-11
dc.relation.ispartoflocationToulon, France
dc.subject.fieldofresearchMusic Composition
dc.subject.fieldofresearchcode190406
dc.titleComposer Views: Context in the use of computers for musical composition
dc.typeConference output
dc.type.descriptionE2 - Conferences (Non Refereed)
dc.type.codee2x
gro.facultyQueensland Conservatorium
gro.hasfulltextNo Full Text
gro.griffith.authorBrown, Andrew R.


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    Contains papers delivered by Griffith authors at national and international conferences.

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