Ravens at Play
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Author(s)
Rose, Deborah Bird
Cooke, Stuart
Van Dooren, Thom
Griffith University Author(s)
Year published
2011
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'We were driving through Death Valley, an American-Australian and two Aussies, taking the scenic route from Las Vegas to Santa Cruz.' This multi-voiced account of multispecies encounters along a highway takes up the challenge of playful and humorous writing that is as well deeply serious and theoretically provocative. Our travels brought us into what Donna Haraway calls the contact zone: a region of recognition and response. The contact zone is a place of significant questions: 'Who are you, and so who are we? Here we are, and so what are we to become?' Events were everything in this ecology of play, in which the movements ...
View more >'We were driving through Death Valley, an American-Australian and two Aussies, taking the scenic route from Las Vegas to Santa Cruz.' This multi-voiced account of multispecies encounters along a highway takes up the challenge of playful and humorous writing that is as well deeply serious and theoretically provocative. Our travels brought us into what Donna Haraway calls the contact zone: a region of recognition and response. The contact zone is a place of significant questions: 'Who are you, and so who are we? Here we are, and so what are we to become?' Events were everything in this ecology of play, in which the movements of all the actors involved the material field in its entirety. We were brought into dances of approach and withdrawal, dances emerging directly, to paraphrase Brian Massumi, from the dynamic relation between a myriad of charged particles.
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View more >'We were driving through Death Valley, an American-Australian and two Aussies, taking the scenic route from Las Vegas to Santa Cruz.' This multi-voiced account of multispecies encounters along a highway takes up the challenge of playful and humorous writing that is as well deeply serious and theoretically provocative. Our travels brought us into what Donna Haraway calls the contact zone: a region of recognition and response. The contact zone is a place of significant questions: 'Who are you, and so who are we? Here we are, and so what are we to become?' Events were everything in this ecology of play, in which the movements of all the actors involved the material field in its entirety. We were brought into dances of approach and withdrawal, dances emerging directly, to paraphrase Brian Massumi, from the dynamic relation between a myriad of charged particles.
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Journal Title
Cultural Studies Review
Volume
17
Issue
2
Subject
Social and Cultural Anthropology
Literary Theory
Environmental Philosophy
Performing Arts and Creative Writing
Cultural Studies
Literary Studies