Show simple item record

dc.contributor.authorMackerras, Colin
dc.contributor.editorDavid L. Drolston
dc.date.accessioned2018-03-15T23:27:25Z
dc.date.available2018-03-15T23:27:25Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/10072/71169
dc.description.abstractThis is an extended review of a performance of The Peony Pavilion, by Tang Xianzu (1550-1616), among the most distinguished of all Chinese dramatists. The drama is in the form of Kunqu, formerly the style of Chinese drama popular among the educated elite. This particular revival is performed at the ancient Imperial Granary, which has been made into a small theatre. The review discusses the performance and surrounding issues in detail, its main conclusion being positive about the performance, the production and the site of performance.
dc.languageEnglish
dc.publisherCHINOPERL
dc.publisher.placeAnn Arbor, USA
dc.publisher.urihttps://chinoperl.osu.edu/journal/back-volumes-2001-2010
dc.relation.ispartofpagefrom211
dc.relation.ispartofpageto218
dc.relation.ispartofedition2010
dc.relation.ispartofvolume29
dc.subject.fieldofresearchAsian Cultural Studies
dc.subject.fieldofresearchStudies of Asian Society
dc.subject.fieldofresearchcode200202
dc.subject.fieldofresearchcode169903
dc.titleThe Imperial Granary Production of Mudan ting (The Peony Pavilion)
dc.typeReport
dc.type.descriptionU2 - Reviews/Reports
dc.type.codeD - Reviews/Reports
dc.description.versionVersion of Record (VoR)
gro.rights.copyright© 2010 CHINOPERL. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
gro.hasfulltextFull Text
gro.griffith.authorMackerras, Colin P.


Files in this item

This item appears in the following Collection(s)

  • Reports
    Contains reports by Griffith authors published for government agencies, industry and other organisations.

Show simple item record