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dc.contributor.authorMackerras, Colin
dc.contributor.editorDavid L. Rolston
dc.date.accessioned2018-03-15T23:32:48Z
dc.date.available2018-03-15T23:32:48Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/10072/71170
dc.description.abstractThis is a major review of a recently published book about Peking Opera, a major branch of the performing arts in China.
dc.languageEnglish
dc.publisherCHINOPERL
dc.publisher.placeAnn Arbor, Michigan, USA
dc.publisher.urihttps://chinoperl.osu.edu/journal/back-volumes-2001-2010
dc.relation.ispartofpagefrom270
dc.relation.ispartofpageto275
dc.relation.ispartofedition2010
dc.relation.ispartofvolume29
dc.subject.fieldofresearchLanguage, Communication and Culture not elsewhere classified
dc.subject.fieldofresearchcode209999
dc.titleThe Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, by Li Ruru
dc.typeReport
dc.type.descriptionU2 - Reviews/Reports
dc.type.codeD - Reviews/Reports
dc.description.versionVersion of Record (VoR)
gro.rights.copyright© 2010 CHINOPERL. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.
gro.hasfulltextFull Text
gro.griffith.authorMackerras, Colin P.


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