Encounters: Subdisciplinary dynamics in Australian music-making and recording
Abstract
This paper examines the dynamics that music subdisciplines bring to record production and seeks to clarify meaning for the recordings as virtual constructs of subdisciplinary encounters. This is detailed in a three stage investigation and subsequently argues for a collaborative approach to achieving increased understanding of the simultaneous action of several levels of musical reality, towards a trans-subdisciplinary ecology of music-making.
Conference Title
Proceedings of the 2005 Conference on the Art of Record Production
Copyright Statement
© The Author(s) 2005. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. For information about this conference please refer to the publisher's website or contact the author.