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dc.contributor.authorAkhtarkhavari, Afshin
dc.date.accessioned2019-03-26T03:51:08Z
dc.date.available2019-03-26T03:51:08Z
dc.date.issued2015
dc.identifier.issn1892-2783
dc.identifier.urihttp://hdl.handle.net/10072/98984
dc.description.abstractCan art help us to think critically, creatively, ethically or politically about the concepts or ideologies within international environmental law? Scholars (e.g. Baudot 2010) have argued that art contributes to international politics in instrumental, extrinsic and intrinsic ways. Certainly, art is important – both symbolically and ideologically – in helping us to understand our relationship with nature by providing a richer and alternative ontological context. Art can singularly reflect ideas about matter and the natural environment by depicting these as vibrant (Bennett 2010a) and allowing us to be enchanted by them – not so much in a romantic sense, but rather through appreciating their ontological significance for our lives.
dc.description.peerreviewedYes
dc.languageEnglish
dc.language.isoeng
dc.publisherNordic Journal of Social Research
dc.publisher.urihttps://jlsr.tors.ku.dk/issues/nnjlsr-06/
dc.relation.ispartofpagefrom130
dc.relation.ispartofpageto151
dc.relation.ispartofjournalNordic Journal of Law and Social Research
dc.relation.ispartofvolume2
dc.subject.fieldofresearchLaw not elsewhere classified
dc.subject.fieldofresearchcode180199
dc.titleFear and Ecological (in)Justice in Edvard Munch's The Scream of Nature
dc.typeJournal article
dc.type.descriptionC1 - Articles
dc.type.codeC - Journal Articles
gro.facultyArts, Education & Law Group, School of Law
gro.hasfulltextNo Full Text
gro.griffith.authorAkhtarkhavari, Afshin


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