Recessionary Gothic and the Devolution of the American Dream: Gregory Crewdson’s 'In a Lonely Place'
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Sarah Follent
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This essay discusses U.S. photographer Gregory Crewdson's show 'In a Lonely Place', focusing on how it comments, in a similar manner to literary, cinematic and televisual gothic, on contemporary social and cultural fears and anxieties--in this case, particularly those fears and anxieties related to the GFC.
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Eyeline: Contemporary Visual Arts
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2013
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No. 80
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© 2013 author & Eyeline Publishing Limited. The attached file is reproduced here in accordance with the copyright policy of the publisher. For information about this journal please refer to the journal’s website or contact the author.
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Art Criticism
Screen and Media Culture
Comparative Literature Studies
Art Theory and Criticism
Visual Arts and Crafts