Held Breath Loss Lead
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Abstract
Research Background:
As an opportunity offered between Covid lockdowns I utilised it to test radically changing concepts now developed in the theoretical back in the gallery setting. What absurd representation of anxiety can I get away with under the guise of ambivalent collective traumatic narrative? These changes cemented a methodology pertaining to interpretation in the by-proxy art encounter.
Research Contribution:
I further developed an aesthetic relating to the idea of self-fragmentation within a premise of the art encounter as a junction of becoming subjectivities. I began to recognise and articulate the evolving trauma theory related to dissociation.
Research Significance:
The output contributes to constructing an argument in the thesis regarding an assemblage/bricolage methodology applied to mental Imagery as subject and its representation as an art object. It explores the cynicism concerning Interpassivity. The ‘subject suppose to believe’ believes the art is meaningful because the other registers it as art.
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100 meters yellow extension cord, 6k lumen LED cool white light, hospice sick bag, electrical insulator wooden crates, 7 inch LED monitor, digital video (performative work).
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Subject
Visual arts
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Citation
Baker, A, Held Breath Loss Lead, 2020