Refugium at Federation Square: the Politics of Participatory Ecological Artwork in Public-Private Space
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Beer, Tanja
Badham, Marnie
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Abstract
Within the Afrofuturistic walls of Black Panther’s Wakanda lies the transhumanist sub-altern/ative future we need now and one that offers profound possibilities for dramatic, transformative, cultural change (Redding 1). The power of Wakanda’s vision is that it interrupts exclusionary ideological discourse and, as Nelson Barre suggests, “confronts the mythologies around which Americans have constructed narratives that elevate half-fulfilled promises of equality and salvation from the stains of history” (172)
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Global Performance Studies
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1
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2
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© The Author(s) 2019. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International (CC BY-NC-ND 4.0) License, which permits unrestricted, non-commercial use, distribution and reproduction in any medium, providing that the work is properly cited.
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Performance and Installation Art
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Condliffe, Z; Beer, T; Badham, M, Refugium at Federation Square: the Politics of Participatory Ecological Artwork in Public-Private Space, Global Performance Studies, 1 (2)