orin Monahan’sCrisis Vision: Race and the Cultural Production of Surveillance, part of the Errantries series edited by Simone Browne, Deborah Cowen and Katherine McKittrick,is a critical review of critical surveillance art—art that has emerged as a response to the ever-expanding systems of surveillance now embedded in our lives. While aiming to critique and challenge issues of domination, oppression and inequality, surveillance art can (in)advertently contribute to cultural production of racialised and gendered viewpoints. Monahan’s is a crucial and timely intervention into the cultural productions of surveillance, consolidating years of his scholarly work on surveillance art into interpretation of viewing subjects (Monahan 2018), anti-surveillance camouflage (Monahan 2015), and artistic disruptions of antiblack surveillance (Monahan 2020).