This paper discusses some aspects of the performing arts of the Tibetans and attempts to analyze how they have fared within the context of an extremely large and modernizing state, where since the late 1970s modernization has been accompanied by a contrary revival of traditions. It argues that performing arts traditions remain powerful among the Tibetans and takes issue with the frequently heard notion that Tibetan culture is being destroyed. It contends, however, that the acceleration of modernization in the coming decades could weaken the tradition in Tibetan culture by affecting its link with the society which feeds it. But what is likely to develop is a changed Tibetan culture, with more place given to those features we know as modernity. On the other hand, the traditions are most unlikely to die out in the foreseeable future. The topical focus of the article is on the performing arts, especially the related forms of drama, balladry and dance. The period of focus is that since the early 1980s, and especially the 1990s.