Brisbane under the Country/National Party governments from 1957 to 1989 is often portrayed as a cultural desert. While there were certainly many 'Queensland refugees' who went to the southern states and overseas to realize their creativity, this paper's review of alternative media in Brisbane between 1965 and 1985 substantiates previous claims that the political repression also encouraged others with radical views to stay to contribute to the extra-parliamentary opposition. The radical movement is revealed as adept at using the products of technological change (including new printing processes, FM radio and light-weight Super 8 and video camera equipment) to create new audiences interested not only in alternative politics but also contemporary creativity. In particular this paper argues that by countering Premier Bjelke-Petersen's skilful management of the mainstream media, alternative media workers were producing the basis of the thriving creative industry scene that exists in Brisbane today, as well as non-doctrinaire ideas that may have a wider application.