For an Equi-vocal Becoming: Danielle Schlomit Sofer's Sex Sounds and Affective Politics
File version
Version of Record (VoR)
Author(s)
Griffith University Author(s)
Primary Supervisor
Other Supervisors
Editor(s)
Date
Size
File type(s)
Location
Abstract
Electronic music in any of its manifold forms—from abstract analog or digital experiments to, frankly, anything produced using recording technology—affords the possibility of new modes of intersubjective relationality, including new spatial comportments with experienced sounds, new forms of immersion in an ongoing soundscape, and of course new sounds entirely, or new kinds of transformations of existing sounds.
Journal Title
Journal of Extreme Anthropology
Conference Title
Book Title
Edition
Volume
7
Issue
1
Thesis Type
Degree Program
School
Publisher link
Patent number
Funder(s)
Grant identifier(s)
Rights Statement
Rights Statement
© 2023 Chris Stover. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a https://creativecommons.org/licenses/by-nc-nd/4.0/ that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal, for non-commercial purpose, no derivatives are permitted.
Item Access Status
Note
Access the data
Related item(s)
Subject
Persistent link to this record
Citation
Stover, C, For an Equi-vocal Becoming: Danielle Schlomit Sofer's Sex Sounds and Affective Politics, Journal of Extreme Anthropology, 7 (1), pp. 23-33