In this article I develop a concept of hybridity for genetically engineered animals by referencing Bruno Latour in my reading of Margaret Atwood's Oryx and Crake (2003). While Oryx and Crake is full of hybrids, it (like many other novels incorporating hybrids) depicts a particular kind of hybrid: a hybrid that is a corporeal mixture of animal-animal, animal-human or animal-machine. Informed by Bruno Latour's theory of hybridity-a theory that weaves together all sorts of human and material actors-this article messes up Atwood's hybrid world, and brings to the fore the mixture of actors that allow pigoons, rakunks, wolvogs and Crakers to exist. In so doing this article proposes a hybrid reading of genetically engineered animals that takes individual actors seriously, but by the same token, does not neglect the messy and contingent weaving together of biotechnology, politics, attitudes, practices, values, commerce and law.