Despite the increasing presence of contemporary women orchestral conductors, their experiences have been met with a peculiar silence. Given that they are still a small minority, in a mostly male-dominated field, their stories have scarcely permeated the profession’s discourses. Although there have been a very limited number of scholarly publications and stories in the press, large scale research into women conductors’ experiences in the orchestral profession has been minimal. In the small amount of research that has been done, discussions have focused on more public and professional issues, such as women’s historical achievements, career paths, mentorships, and institutional barriers (c.f. Jagow; and Hinely). Private issues, such as motherhood, have largely remained undocumented.