Acoustic, Electric and Virtual Noise: The Cultural Identity of the Guitar

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Author(s)
Carfoot, Gavin
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Nicolas Collins

Date
2006
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68786 bytes

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Abstract

Guitar technology underwent significant changes in the 20th century in the move from acoustic to electric instruments. In the first part of the 21st century, the guitar continues to develop through its interaction with digital technologies. Such changes in guitar technology are usually grounded in what we might call the "cultural identity" of the instrument: that is, the various ways that the guitar is used to enact, influence and challenge sociocultural and musical discourses. Often, these different uses of the guitar can be seen to reflect a conflict between the changing concepts of "noise" and "musical sound."

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Leonardo Music Journal

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16

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© 2006 The International Society for the Arts, Sciences and Technology (ISAST). The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version.

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Performing Arts and Creative Writing

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