Reflections on teaching and learning feminism in musicological classrooms: an autoethnographic conversation
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Bartleet, Brydie-Leigh
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Following bell hooks' call to try new methods and take new risks, we have come together as two colleagues to partake in an autoethnographic interview process about our experiences and understandings as feminist teachers and learners in musicological classrooms. We sit at a round table opposite one another, with a tape recorder and coffee cups between us. We feel nervous about the unknown nature of this experience, but comforted by our friendship and shared commitment to exploring this reflective process. For years we have eagerly discussed our ideas on feminism and musicology, and reflected on how we enact these beliefs in our research and pedagogy. However, at times we have felt like solitary voices waving a red flag. It is for this reason that we have decided to share our conversation, in the hope that we might spark a deeper exchange with other women in our field.
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Outskirts: feminisms along the edge
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18
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© The Author(s) 2008. This is the author-manuscript version of this paper. It is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. For information about this journal please refer to the journal's website or contact the author.
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Other Studies in Human Society
Cultural Studies
Historical Studies